Of Triumph, Tragedy and the Solace of Solitude With Steve Earle

At any given time, we have a number of interviews waiting for their moments on an upcoming episode of this podcast series. Late 2024 is no exception, and may be an extreme, as there are several interviews from both the Earl Scruggs Festival as well as IBMA from recent months now in our cue. Hurricane Helene disrupted the tentative schedule for those conversations with the likes of Lindsay Lou, Mountain Home and Unspoken Tradition’s Ty Gilpin and many more being put on hold, as I pivoted to covering the storm’s impact on music in the region. If you did not hear it already, I encourage you to go back one episode to “Songs Of Grief, Songs Of Hope: Helene’s Aftermath For The Western NC Music Scene” for a glimpse into what dominated (and continues to dominate in many ways) our thoughts and our experiences in early fall 2024.

It was a mild surprise, then, to steer back into a “normal” fashion here, picking out a gem of a conversation from earlier in the year only to find that tragic loss was top of mind for my guest, Steve Earle. “There’s that sorrow and loss theme again,” I thought. How weird is that?

It is not all gloom here though, not by a long shot, so please do not let that dissuade you from pressing ‘play’ here. Although Steve lost his friend and colleague Jeremy Tepper just two days before, he was in overall good spirits, as he talks about his rigorous solo tour, his relationship with his music before becoming sober, his favorite cover songs from both artists covering his music and vice versa, aspirations to record Irish music and perhaps even a jazz record, and memories of growing up in the midst of musical greats like Doug Sahm. It is a deep and insightful conversation from the Hall Of Fame songwriter, which even includes mention of his love of North Carolina trout fishing. Along the way, we hear excerpts of music from Steve Earle’s latest album, Alone Again (Live), as well as both his favorite cover songs — an Emmylou Harris cover of one of his songs, and his own version of a Bob Dylan classic.

Steve Earle

Songs heard in this episode:

“CCKMP” by Steve Earle, from Alone Again (Live)

“I Ain’t Ever Satisfied” by Steve Earle, from Alone Again (Live), excerpt

“Goodye” by Emmylou Harris, from Wrecking Ball, excerpt

“My Back Pages” by Steve Earle, from Sidetracks, excerpt

“Copperhead Road” by Steve Earle, from Alone Again (Live)

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This series is a part of the lineup of both public radio WNCW and Osiris Media, with all of the Osiris shows available here. You can also hear new episodes on Bluegrass Planet Radio here. Thanks also to Jaclyn Anthony for producing the radio adaptations of this series on WNCW, where we worked with Joshua Meng, who wrote and performed our theme songs — you can link to his music here. This is Southern Songs and Stories: the music of the South and the artists who make it. - Joe Kendrick

Getting Back to the Essence of the Song With Greg Cartwright, Amanda Anne Platt and Wes Pearce

This story begins with Citizen Vinyl, a combination vinyl pressing plant, recording studio, bar and restaurant in downtown Asheville, North Carolina, in the old Citizen-Times building. Built in the late 1930s, it was originally the home of two newspapers and the WWNC radio station. Wanting to host more events there, Citizen Vinyl reached out to Greg Cartwright, well known for his work in his band Reigning Sound; Greg then invited Amanda Anne Platt, who has been playing with her band The Honeycutters for more than a decade, and a relatively new artist in the Asheville scene, Wes Pearce. 

Postcard from 1939 depicting Asheville, NC’s Pritchard Park and WWNC radio station

The three artists shared the stage on the ground floor of the three story building, in the open space between the bar, record shop and pressing plant, and played from their existing catalog of songs as well as many brand new songs that have not yet had their chance to make it into the adjacent room to be pressed into discs. The audience was quiet and attentive, and while Amanda, Greg and Wes played, the rest of the world receded to the background as everyone focused on the trio, who took turns playing their songs on acoustic guitar.

After their set, Amanda, Greg, Wes and I went upstairs to the old WWNC live performance studio to talk about the romantic atmosphere of their show, the resurgence of vinyl’s popularity and how the collectability of 45s and LPs has flipped since COVID-19 changed so much for all of us, how they navigate their music careers post-COVID, the local Asheville scene and more.

Live performance from 1939 on the radio in the WWNC studio where we taped our interview

Songs heard in this episode:

Amanda Anne Platt & the Honeycutters “The Road” from Amanda Anne Platt & the Honeycutters

“Burden” by Wes Pearce, from Death & Darlins, excerpt

“Alive” by Reigning Sound, from Memphis In June, excerpt

“Girls Like You” by Amanda Anne Platt & the Honeycutters, from The Devil and the Deep Blue Sea

Thanks for dropping by, and we are even more grateful whenever you share this with someone. Sharing in person is most appreciated, but please also follow us on your podcast platform of choice, and then it will only take a minute to give it a top rating and, where it is an option, a review. It is hugely impactful when you do this! Great ratings, and reviews especially, will make Southern Songs and Stories and the artists it profiles more likely to find a home with more fans. This series is a part of the lineup of both public radio WNCW and Osiris Media, with all of the Osiris shows available here. You can also hear new episodes of this podcast on Bluegrass Planet Radio here. Thanks to Corrie Askew for producing the radio adaptations of this series on public radio WNCW, where we worked with Joshua Meng who wrote and performed our theme songs. Thanks also to Greg and Amy Gerald for hosting me during my stay in town and to Gar Ragland and everyone at Citizen Vinyl for their hospitality.

This is Southern Songs and Stories: the music of the South and the artists who make it. — Joe Kendrick

Three Song Set with Kim Ware and Scott Newell

There may never be an episode of Southern Songs and Stories featuring music as far flung as this one, and at the same time there may never be an episode with a storyline that is so unexpectedly close knit. It started out by bringing together two artists I knew but who did not know each other, and who have differing styles of music. Then came a serendipitous revelation that set the stage for a great conversation, and concluded with another surprise when both artists picked a mutual favorite song to talk about in this Three Song Set, one from Georgios Kyriacos Panayiotou, whom you probably know better as George Michael.

Welcome to our Three Song Set with Kim Ware and Scott Newell, where Kim picks one of Scott’s songs, Scott picks one of Kim’s, and they both pick a mutual favorite of another artist to talk about. I have known of Kim’s work for far longer than I have known her -- we were in some of the same musical circles when we lived in Wilmington, North Carolina in the 1990s -- but it was only in recent years when she moved from Atlanta back to where she grew up in nearby Kings Mountain, North Carolina that I made a connection. Back in Wilmington, Kim was a drummer in bands like Tex Svengali, she also ran the record label Eskimo Kiss, and she remained in the background for years before picking up a guitar in 2006 and starting her own singing and songwriting journey as the Good Graces. Like Kim, Scott Newell chose a different instrument early on, as he played trumpet before picking up the guitar as his mainstay. While he lives just two counties over in Charlotte, Scott had never crossed paths with Kim until now. But their paths were always intertwined, because as they got to know each other before we recorded this episode, Scott and Kim found out that on Kim’s father’s side of her family, and Scott’s mother’s side of his family have ancestors who were brother and sister.

Songs heard in this episode:

“So What” by Miles Davis from Kind of Blue, excerpt

“Scam Likely” by Scott Newell from Psycho Electric, excerpt

“Mar Vista Point” by Kim Ware and the Good Graces from Prose and Consciousness, excerpt

“Praying For Time” by George Michael from Listen Without Prejudice, excerpt

Thank you for visiting, and we hope you enjoy your stay! There are more Three Song Sets in the works, and we would like to know what you think of the concept. You can contact us on our social media via Instagram, Twitter or Facebook and you can also drop a comment below this article. You can follow the series on podcast platforms everywhere, where it greatly helps when you give us a top rating and even more so with a good review, because the show’s visibility to everyone using those platforms depends largely on followers, ratings and reviews. Southern Songs and Stories is a part of the podcast lineup of both public radio WNCW and Osiris Media, with all of the Osiris shows available here . You can also hear new episodes of this podcast on Bluegrass Planet Radio at here. Thanks to Corrie Askew for producing the radio adaptations of this series on WNCW, and to Joshua Meng, who wrote and performed our theme songs. This is Southern Songs and Stories: the music of the South and the artists who make it. - Joe Kendrick