Regular listeners of this series will know that there is a certain festival that is near and dear to my heart, the Albino Skunk Music Festival. It is an event that insiders love passionately, and outsiders often puzzle over. What an unusual name! What an unlikely and often under-the-radar roster of artists! As I have said many times before in introducing the festival to a newcomer, I had long been a skeptic before setting foot on the property, at which point it took only minutes to realize that not only would I return to that festival; I would always return to it.

As we enter the winter season, we are about as far away from festival season as one can get. But festivals are a year round endeavor -- practically all the spring and early summer festivals next year are already booked, and are rolling out their artist lineups in stages as they promote their events. Usually that means a headliner or a first volley of artists and bands announced in fall and winter, followed by one or two more updates which fill in the rest of the blanks. There is a ton of work going on right now for festivals happening next fall, and onwards to the following year. The teams that plan and staff these events never really have down periods. Even immediately after a festival ends, they go over what went right, what went wrong, what could be improved for next time, and then fill their calendar with meeting dates, dates when ticket prices go from early bird to full price, dates when they make marketing pushes, dates when they have to have new logos and merchandise, you name it.

We will focus a lot on festivals here on Southern Songs and Stories over the coming months, beginning with this episode on the California band Wolf Jett. Soon, we will bring you a conversation from Time Sawyer front man and Milltown Get Down festival’s Sam Tayloe. Also in our cue is a band that I got to sit with at Milltown Get Down in Elkin, NC, which was one that I got to enjoy at both Albino Skunk Music Festival and the Earl Scruggs Music Festival beforehand -- western NC’s Holler Choir.

Chris Jones of Wolf Jett performs at the Albino Skunk Music Festival 10/03/25

Songs heard in this episode:

“Straight Back To You” by Wolf Jett, from Letting Go

“Nothin’ But Trouble” by Wolf Jett, live at Albino Skunk Music Festival 10/03/25, excerpt

“Feel the Way I Feel” by Wolf Jett, live at Albino Skunk Music Festival 10/03/25, excerpt

“Letting Go” by Wolf Jett, live at Albino Skunk Music Festival 10/03/25

Please take a moment and give us a top rating on your podcast platform of choice, and where you can, a review. It makes a big impact on the ranking and therefore the visibility of this series to all the other music fans who also follow podcasts. This is Southern Songs and Stories, where our quest is to explore and celebrate the unfolding history and culture of music rooted in the American South, and going beyond to the styles and artists that it inspired and informed. - Joe Kendrick

Artist stereotypes do not apply

How many times have parents cringed when their children fell in love with a musician? Let's be honest, the world has looked askance at artists of all stripes (with notable exceptions) for most of our history. Musicians tend to be thought of as people who may be great at their art but who are nonetheless pretty bad at life skills like paying bills, getting to work on time, and sticking with the missus.

Aaron turns all those stereotypes on their head; he is not only a fantastic songwriter and musician, but he also runs his own construction business and is a devoted family man living a stone's throw from where he grew up in the western NC mountains. He is as meticulous and intense about his guitar and ballads as he is about his green built homes and raising his two girls.

As you'll see in our pilot episode, Aaron does both life and art exceptionally well. The folks around him are a big part of that.