Catching Up With the Pied Piper, Ketch Secor

Ketch Secor of Old Crow Medicine Show is never at a loss for words, and is never not entertaining, however he is, in equal measure, an ambassador of social conscience, too. Our interview concludes with Ketch saying, “[I]t's been a challenging time, and a lot of room … to be bummed out about this stuff. But I, I just got to keep going head on. I play the fiddle for a living, you know, and I and it draws people together. If you're a pied piper, you might as well lead them to someplace better than this.” It was as spot-on a summation of his now quarter century leading his band as any.

Ketch was on this podcast two years ago in the episode titled “Painting A Portrait of 23 Years With Ketch Secor of Old Crow Medicine Show”, which is based on our conversation at MerleFest that year. Old Crow Medicine Show’s famous song “Wagon Wheel” is the subject of an episode in this series from a few years before that, on the podcast titled “Wagon Wheel: Anatomy Of A Hit”, and I am attaching that episode to the end of this new conversation with Ketch Secor for everyone who missed it the first time or who might just want to hear it again. That episode details the long, winding road that began with a blues song by Arthur “Big Boy” Crudup, and continues through a scrap of a tune that Bob Dylan left by the wayside, to a young buck longing to make it to North Carolina in the late 1990s, eventually becoming the song we all know and either love or loathe today. There is not a whole lot of middle ground with this one, and we go into detail about it, interviewing five expert guests along the way.

Joe Kendrick (left) and Ketch Secor (right) at the PNC Arena in Charlotte, NC 08/09/24

Photo: Will Prim

Songs heard in this episode:

“One Drop” by Old Crow Medicine Show, with Mavis Staples, from Jubilee, excerpt

Arthur “Big Boy” Crudup “Rock Me Mama”, excerpt

Big Bill Broonzy “Rockin’ Chair Blues”, excerpt

Lil’ Son Jackson “Rockin’ And Rollin’”, excerpt

Old Crow Medicine Show “Wagon Wheel”, excerpt

Old Crow Medicine Show “Wagon Wheel” at the Theater of the Living Arts in Philadelphia in 2006, from The World Cafe Live, excerpt

Van Morrison “Brown Eyed Girl”, excerpt

Darius Rucker “Wagon Wheel”, excerpt

Old Crow Medicine Show “Wagon Wheel”, live from Delfest 2018, excerpt

Millions and millions sold, and still counting

Thanks for visiting, and we hope you will follow this series on your podcast platform of choice, and also give it a top rating and a review. When you take a moment to give great ratings and reviews, Southern Songs and Stories and the artists it profiles become much more visible to more music, history and culture fans just like you. You can find us on Apple here, and YouTube here — hundreds more episodes await, including performers at The Earl Scruggs Music Festival like Rissi Palmer, as well as our collaboration with music journalist Craig Havighurst of WMOT, host of the excellent podcast The String, both from last year’s event, as well as our recent episode on a 2024 headliner, Marty Stuart, and the duo Larry & Joe. Speaking of Earl Scruggs, we also recommend our episode titled “The Humble Genius of Earl Scruggs”.

This series is a part of the lineup of both public radio WNCW and Osiris Media, with all of the Osiris shows available here. You can also hear new episodes on Bluegrass Planet Radio here. Thanks to the staff at PNC Arena, and MerleFest for their help in making this episode possible. Thanks to WNCW intern Will Prim for taking part in the interview. Thanks also to Jaclyn Anthony for producing the radio adaptations of this series on WNCW, where we worked with Joshua Meng, who wrote and performed our theme songs — you can link to his music here. This is Southern Songs and Stories: the music of the South and the artists who make it. - Joe Kendrick

Painting a Portrait of 23 Years With Ketch Secor of Old Crow Medicine Show

How long is the average lifespan for a band? That could be hard to pin down, but it is surely a lot shorter than the time we have witnessed Old Crow Medicine Show do their thing. Starting out as strict revivalists of old-time string band traditions, they did not even believe in writing original songs. To Ketch Secor’s thinking back at Old Crow’s inception, all the great songs had already been written, so any attempts to add to that canon would be futile. Fortunately for all of us, Ketch and the band changed their minds on that point, and almost immediately discovered how much impact they could have with originals (and one whale of a co-write). Like any group starting out, they had no way of knowing how far they would go or how much they would change in time. If you had told them that they were going to sell millions of records and win multiple Grammy awards back in 1999, they would likely have laughed. If you had pointed out that a future member of their group (Mason Via) had just been born, my bet is that they would have looked at you as if you had come from another planet. But all of this would come to pass.

Fast forward to spring 2022, when Old Crow Medicine Show returned to the place that a generation before had served, as Ketch said in our interview, a lily pad, a springboard for their success. There at MerleFest, I sat with Ketch in the library at Wilkes Community College ahead of their two shows that day — the first a surprise acoustic performance off stage on the festival grounds, the second their main stage performance hours later. A documentary crew was on hand filming our conversation, which covered a wide range of topics, including the current lineup of Old Crow Medicine Show, his time living off the land in Avery County, North Carolina when the band first formed, his recent fascination with music from Equatorial Africa and Texas border country, how he always wants to be, as he puts it, a mockingbird, and more. There is plenty of music from their latest album Paint This Town featured as well.

Old Crow Medicine Show plays a surprise acoustic set on the Wilkes Community College campus ahead of their main stage performance 05-30-22

Photo: Martin Anderson

Songs heard in this episode:

“DeFord Rides Again” by Old Crow Medicine Show from Paint This Town

“New Mississippi Flag” by Old Crow Medicine Show from Paint This Town, excerpt

“Used To Be A Mountain” by Old Crow Medicine Show from Paint This Town, excerpt

“Gloryland” by Old Crow Medicine Show from Paint This Town, excerpt

“Paint This Town” by Old Crow Medicine Show from Paint This Town

We are glad to have you visit us, and would be even more so were you to share this with someone. It is super easy to follow us on your podcast platform of choice, and then it will only take a minute to give it a good rating and a review. Great ratings, and reviews especially, will make Southern Songs and Stories and the artists it profiles more likely to be found by more people just like you.

Southern Songs and Stories is a part of the podcast lineup of both public radio WNCW and Osiris Media, with all of the Osiris shows available here. You can also hear new episodes of this podcast on Bluegrass Planet Radio here. Thanks to Corrie Askew for producing the radio adaptations of this series on WNCW, and to Joshua Meng, who wrote and performed our theme songs. This is Southern Songs and Stories: the music of the South and the artists who make it. - Joe Kendrick