Six Decades of Legacy and Love for an Ever Evolving Sound With Sam Bush

The fountain of youth could very well be located in a mandolin, or a fiddle. At least for Sam Bush, playing the mandolin, along with the occasional fiddle, seems to give him an energy level that many people several decades his junior would envy. There is a lot to be said for playing music, whatever the instrument, and its benefits for well being. Cognitively and psychologically, there is a lot of data that affirms we can benefit greatly from playing music, even from simply actively listening to music. A lot of this boils down to a fundamental truth that learning is the catalyst for positive change and growth, and we can all continue learning and picking up new skills throughout our lives. Sam Bush, like so many career music artists, embodies that spirit, and serves as a great example of the heights we can achieve when we devote our lives to reaching towards our full capabilities.

Musically, Sam Bush draws from a wide spectrum of styles, ranging from bluegrass to newgrass (which he helped establish and define as a sub-genre with his former group New Grass Revival), to rock and blues with his former project Duck Butter, to having been in both Leon Russell and Emmylou Harris’ bands, among many other projects. His stories are just as lively. From recounting his times with Earl Scruggs and Bill Monroe to his observations about young stars like Sierra Hull and Billy Strings, to his many performances at Green Acres Music Hall, Sam Bush has many a tale to tell. We get to all of that, and get a glimpse at what he has in store in the near future as well, in a spirited conversation from backstage at the 2025 Earl Scruggs Music Festival. Of course, there is much music to highlight in this episode too, including excerpts from Sam’s solo catalog, as well as the festival’s namesake.

Sam Bush performs at the Earl Scruggs Music Festival, August 29, 2025 (photo: Eli Johnson)

Songs heard in this episode:

“Stingray” by Sam Bush, from Glamour & Grits

“Brown’s Ferry Blues” by Tony Trischka, from Earl Jam, excerpt

“Big Mon” by Sam Bush, from Late As Usual, excerpt

“Foggy Mountain Special” by Flatt & Scruggs, excerpt

“Circles Around Me” by Sam Bush, from Circles Around Me

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- Joe Kendrick