Country That Contains Multitudes: Kelsey Waldon

Many times the way and artist finds their way onto this podcast is from their publicist or someone else on their team reaching out to me, or vice versa. Sometimes I might bump into an artist at a show or festival and hit them up for an impromptu interview then and there, but that is rare. Rarer still is the scenario where I came in contact with western Kentucky artist Kelsey Waldon, which was through writer and editor Garret Woodward, who acted as go-between to ask about an interview. Kelsey was on tour in our region and hoped to get some coverage for the WNCW audience, and I immediately jumped on the opportunity. After speaking her on a video call from her hotel room in Chattanooga TN, I took the first part of her interview and aired that on my show on radio; the bulk of that conversation comes to light here in this episode.

Kelsey Waldon (photo: ©Alysse Gafkjen 2025)

There is a deep well of emotion and a complex tapestry of experience that Kelsey Waldon draws from in her singular style of country music. Rooted firmly in her native western Kentucky, she calls the Nashville area home now, and in our conversation we talk about how her rural upbringing in an unusual setting shaped her, her longtime friendship with fellow Kentuckian S.G. Goodman, her often overlooked college degree in songwriting, and we go into detail about some of her latest songs, sampling many from her latest album Every Ghost.

Songs heard in this episode:

“Ghost Of Myself” by Kesley Waldon, from Every Ghost

“Ramblin’ Woman” by Kelsey Waldon, from Every Ghost, excerpt

“Nursery Rhyme” by Kelsey Waldon, from Every Ghost, excerpt

“A Robin Built A Nest On Daddy’s Grave” by Ralph Stanley, from While the Ages Roll On, excerpt

“Hello Stranger” by Kelsey Waldon featuring S.G. Goodman, from There’s Always A Song, excerpt

“Comanche” by Kelsey Waldon, from Every Ghost

Thank you for stopping by, and we hope you can spread the word about this series and help us reach more music fans just like yourself. Please take a moment and give us a top rating on your podcast platform of choice, and where you can, a review. Doing either, and especially both, boosts the ranking and therefore the visibility of this series to all the other music fans who also follow podcasts. This is Southern Songs and Stories, where our quest is to explore and celebrate the unfolding history and culture of music rooted in the American South, and going beyond to the styles and artists that it inspired and informed. - Joe Kendrick

Where Soil and Song Work In Harmony: S.G. Goodman

As a lifelong Southerner, and a mostly small-town Southerner all these years, I can understand when people want to get out of their small, Southern town in favor of a city with more people of like minds. And as that mostly happy small-town Southerner, I can understand why people want to get out of the city and put themselves in that countryside. Both scenarios play out on the regular here in red dirt country, with results that mirror our current national tendency towards polarization between city and country. Very seldom do you find someone with the depth and talent level of an S.G. Goodman choosing to stay in a small town in a rural setting, with all of its tragedies and shortcomings firmly in mind, over practically any other place of their choosing in the whole U.S. As S.G. Goodman said in another interview, what you find commonly is people in rural places tending not to listen to outsiders, and progressively minded people leaving and taking their ideas with them. She, however, is taking a road few have traveled: she embraces her homeplace as part of her resolve to see change by living it out in front of people.

S.G. Goodman (photo: Meredith Truax)

S.G. Goodman spoke with me following her live performance on public radio WNCW on September 20th, 2022, and we present two songs from that live set here, as well as album tracks from her second collection titled Teeth Marks. Our conversation touches on her love of her Kentucky homeland, where she does not shy away from the manual labor that she first knew growing up on her family farm. She also takes note of the region’s tragedies which, at times, have served as a catalyst to pave the way for the greater good, plus we go in depth about two songs at the center of her new album: “Work Until I Die” and “If You Were Someone I Loved”.

Songs heard in this episode:

“Work Until I Die” by S.G. Goodman, from Teeth Marks, excerpt

“Space and Time” by S.G. Goodman, performed live on WNCW 09-20-22, excerpt

“If You Were Someone I Loved” by S.G. Goodman, live on WNCW 09-20-22

“All My Love Is Coming Back To Me” by S.G. Goodman, from Teeth Marks

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Southern Songs and Stories is a part of the podcast lineup of Osiris Media, with all of the Osiris shows available here. You can also hear new episodes of this podcast on Bluegrass Planet Radio here. Thanks to Corrie Askew for producing the radio adaptations of this series on public radio WNCW, and to Joshua Meng, who wrote and performed our theme songs. This is Southern Songs and Stories: the music of the South and the artists who make it.   - Joe Kendrick