It is interesting to compare and contrast the genres of rock and roll with old time and string band music. In some ways, string bands can be more raw and intense than rock bands. No bridges. Odd tunings. Dancing to exhaustion. Music made for intimate social gatherings versus music made for the wide world. The stereotypes of old time musicians being country bumpkins have not been entirely erased, however our guests in this episode are making music that reveals how deep and refreshing that wellspring of what was the first original music export of America can be in a new context. Taking the intricacy and edge of old time, string band music and marrying that with the punch and strut of indie rock, we arrive at a hybrid, a musical animal that sings a song seldom heard in the roots music world.

As Justin Osborne pointed out, “It's just been so fun and really educational for me too, because I think coming from the indie rock world, I underestimated what it was going to require of me to be able to hang. And I just, it's one of those things you don't realize how much you don't know. But it's been really enjoyable lessons in humility for me and really fun to learn, and to continue to realize how much I don't know.” Justin, of the Austin-based indie rock band SUSTO may never sound the same again after teaming up with Appalachian acoustic troubadours Clint Robinson and Jackson Grimm of Holler Choir, and they are soon to return with Volume 2 from their project SUSTO Stringband. In this episode, we get to hear from Justin, Jackson and Clint about their rock and string band amalgamation, the importance of strong songwriting, the joys of live performance, the advantages of playing festival shows and more, with music from both SUSTO Stringband and Holler Choir along the way.

Songs heard in this episode:

“Rooster” by SUSTO Stringband, from SUSTO Stringband Volume 1

“Friends, Lovers, Ex-lovers: Whatever” by SUSTO Stringband, performed live at The Albino Skunk Music Festival 10/02/25, excerpt

“Tell My Blues” by SUSTO Stringband, performed live at The Albino Skunk Music Festival 10/02/25, excerpt

“Hamlet Blues” by Holler Choir, performed live at The Albino Skunk Music Festival 10/02/25

Thank you for listening, and we hope you can spread awareness of this endeavor and help us reach more music fans just like yourself. Please take a moment and give us a top rating on your podcast platform of choice, and where you can, a review. It makes a big impact on the ranking and therefore the visibility of this series to all the other music fans who also follow podcasts. This is Southern Songs and Stories, where our quest is to explore and celebrate the unfolding history and culture of music rooted in the American South, and going beyond to the styles and artists that it inspired and informed. - Joe Kendrick

Artist stereotypes do not apply

How many times have parents cringed when their children fell in love with a musician? Let's be honest, the world has looked askance at artists of all stripes (with notable exceptions) for most of our history. Musicians tend to be thought of as people who may be great at their art but who are nonetheless pretty bad at life skills like paying bills, getting to work on time, and sticking with the missus.

Aaron turns all those stereotypes on their head; he is not only a fantastic songwriter and musician, but he also runs his own construction business and is a devoted family man living a stone's throw from where he grew up in the western NC mountains. He is as meticulous and intense about his guitar and ballads as he is about his green built homes and raising his two girls.

As you'll see in our pilot episode, Aaron does both life and art exceptionally well. The folks around him are a big part of that.